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He seemed happy with his new project and the smiles were constant. Throughout the night (and the weekend ), Trey wrapped himself around generous grooves and took the music up to the sorts of peaks that earned Phish their premier jamband reputation. His playing is chunky and strong with frequent blistering crescendos. His energies have been redirected away from band-leading and seem fully engaged on his own musical leads. Instead of rather long horn interludes, there really isn't much soloing other than by Trey. There is certainly a lot more guitar to be had in this new arrangement. The singers are located near the back, and at times their presence feels minimal, (even leaving the stage for more protracted jams), but they offset the group’s meandering with steady melodic support in the way the horns once did. Without horns some of the material has had to be reworked filling much of that space are Hartswick and Durfee's backing vocals. The jams in these two songs were some of the highest and brightest of the night. The opening signature guitar riff of “Night Speaks to a Woman” continued the high. This one had heads banging by the end and the first truly enthusiastic response from the crowd. This song has always been a barnstormer and lately has been used as a launchpad for some especially exploratory and heavy-duty jamming.

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“46 Days” was next, one of the rare Phish tunes being played with full band.

Instead they have the emotional impact that a lot of the first album lacked, which is fitting since many of these songs were forged from the turmoil that followed the breakup of Phish.Īfter a few more new songs, “Tuesday” and the haunting and moody “Dark and Down,” we were treated to “Drifting,” one of Trey's sweetest solo tunes. Though I do like the newer material and think it plays well, most songs from Shine aren't exactly dance party tunes like much of Trey's first release. Also, like most songs from that release, it's spirited, funky and upbeat. Being the first song played from Trey's self-titled debut album of 2002, it was familiar and welcome. They kicked things off tentatively with two mellower songs from the new album, “Air Said to Me” and “Sleep Again.” The upbeat “Money Love and Change” took the energy up a big notch. Harder to get used to is Les Hall who oscillates back and forth between keyboards and guitar. Tony Hall holds down the basslines, and Skeeto Valdez is the new guy tapping the skins. Instead she and Christina Durfee sing backup vocals. Ray Paczkowski still lays down his warm and rich texturing on keys, and Jennifer Hartswick remains but now without her horn. Unlike Trey's previous band (The Trey Anastasio Band or TAB) there are no horns and few of the old faces. The eerie pre-show music was a pre-recorded instrumental version of “Guyute.” Trey and the Parade took the stage around 12:30am. So though we all knew this might not be the band and songs for which so many are now jonesing, it marked a new beginning: the first look for many West-coasters at Trey and his new band post-Phish, as well as the auspicious kickoff of a new annual festival. However, despite the hype, the last time Trey and the Fab Four came through Sin City, Trey looked challenged, the music was inconsistent at best, and The End was announced less than a month later. Certainly many were aware of the contrast between this and the buzz and hype present at any of the dozen Las Vegas Phish shows from the past. The pre-show energy in the sold-out arena was a bit subdued. The show was scheduled to begin at 11:59 pm, commencing the sleep deprivation that is synonymous with Vegas.

This massive festival combined with the release of Shine felt like a jumping off point for the veteran rocker.įriday night, even before the first performers would grace the stages of the UNLV Silverbowl for the first annual Vegoose, Trey and his band played a show at the Aladdin Theater inside the Aladdin Hotel in the heart of the strip. Though it's obviously been a hard year for Phish fans and resentments linger, it appears that Mr. He broke up the band.” That’s what I heard more than a few times in and around the festival. You could say it was a big weekend for the jam-world's favorite redhead. All of this and a new album hit the stores the day after the festival.

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There's always a lot to do in Las Vegas but over Halloween weekend Trey Anastasio kept himself especially busy: a late night show, in addition to a twilight set on the main stage, plus closing Saturday's events as one of Dave Mathews’ friends, as well as joining Widespread Panic for a mind-blowing festival closer.